{"id":290,"date":"2013-04-25T10:31:08","date_gmt":"2013-04-25T10:31:08","guid":{"rendered":"http:\/\/www.arianebazan.be\/?page_id=290"},"modified":"2023-05-05T12:43:15","modified_gmt":"2023-05-05T12:43:15","slug":"verite","status":"publish","type":"page","link":"https:\/\/www.arianebazan.be\/?page_id=290","title":{"rendered":"V\u00e9rit\u00e9"},"content":{"rendered":"<ul>\n<li style=\"text-align: left;\">Essays in love, Alain de Botton (1993),\u00a0 p. 152-154: &#8220;We hence proceed by abbreviation, <strong>we take the dominant feature [of a tree, of an emotional state] and label as the whole something that is only a part.<\/strong> <strong>Similarly, the story we tell of an event remains a segment of the totality the moment comprised; as soon as the moment is narrated, it loses its multiplicity and ambivalence in the name of abstracted meaning and authorial intent<\/strong>. The story embodies the poverty of the remembered moment. Chloe and I lived a love story stretching over an expanse of time during which my feelings moved so far across the emotional scale that to talk of being simply <em>in love<\/em> seems a brutal foreshortening of events. Pressed for time and eager to simplify, <strong>we are forced to narrate and remember things by ellipsis, or we would be overwhelmed by both our ambivalence and our<\/strong> <strong>instability<\/strong>.&#8221;.<\/li>\n<li>Averro\u00e8s dans &#8216;Averro\u00e8s ou le secr\u00e9taire du diable&#8217;, Gilbert Sinou\u00e9 (2017), p. 136 : &#8220;La nature, nous le savons, ne dispense pas ses bienfaits \u00e9galement et \u00e0 tous. <strong>C&#8217;est ainsi que certains font des raisonnements purement primaires: Il y a un r\u00f4deur, c&#8217;est donc un voleur.<\/strong>&#8220;<\/li>\n<li>Les processus primaires et secondaires dans &#8216;Le myst\u00e8re de la chambre jaune&#8217; de Gaston Leroux (1907), pp. 194-197.&#8221;Eh! m&#8217;sieur le pr\u00e9sident, <strong>la raison a deux bouts<\/strong>: le bon et le mauvais. Il n&#8217;y en a qu&#8217;un sur lequel vous puissiez vous appuyer avec solidit\u00e9: c&#8217;est le bon! On le reconna\u00eet \u00e0 ce que rien ne peut le faire craquer, ce bout-l\u00e0, quoi que vous fassiez! quoi que vous disiez! (&#8230;) avec le bon bout de ma raison, j&#8217;ai trac\u00e9 un cercle dans lequel j&#8217;ai enferm\u00e9 le probl\u00e8me, et autour du cercle, j&#8217;ai d\u00e9pos\u00e9 mentalement ces lettres flamboyantes: &#8220;Puisque l&#8217;assassin ne peut \u00eatre en dehors du cercle, il est dedans!&#8221; (&#8230;) Vous voyez, monsieur, quel est mon syst\u00e8me, continua Rouletabille; <strong>je ne leur demande pas aux signes ext\u00e9rieurs de m&#8217;apprendre la v\u00e9rit\u00e9; je leur demande simplement de ne pas aller contre la v\u00e9rit\u00e9 que m&#8217;a d\u00e9sign\u00e9e le bon bout de ma raison!<\/strong>&#8230;&#8221;<\/li>\n<\/ul>\n<p style=\"padding-left: 40px;\"><span style=\"color: #000000;\"><em style=\"font-size: revert; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">processus primaires<\/em><span style=\"font-size: revert; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">: partir des &#8220;signes ext\u00e9rieurs&#8221; et broder associativement \u00e0 partir de ce point de d\u00e9part en faisant des ponts automatiques (non inhib\u00e9s, non r\u00e9fl\u00e9chis, genre: si ceci, alors cela, ex. s&#8217;il a du succ\u00e8s, il est heureux &#8211; pour reprendre un exemple plus clinique)<\/span><\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"color: #000000;\"><em>processus secondaires<\/em>: avoir \u00e0 l&#8217;esprit un r\u00e9sultat auquel il s&#8217;agit d&#8217;aboutir (ici: puisque l&#8217;assassin ne peut \u00eatre dans la chambre jaune, c&#8217;est qu&#8217;il n&#8217;y est pas) et reconstruire (en &#8216;reverse computing&#8217; comme on dit en termes neuroscientifiques) et sous inhibition les pas cons\u00e9cutifs qui auraient pu mener \u00e0 ce r\u00e9sultat en y impliquant les &#8220;signes ext\u00e9rieurs&#8221;, donc non pas penser \u00e0 partir de points de d\u00e9part, mais en fonction de points d&#8217;arriv\u00e9e.<\/span><\/p>\n<blockquote>\n<p style=\"text-align: right;\"><strong>\u00a0<\/strong><\/p>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Essays in love, Alain de Botton (1993),\u00a0 p. 152-154: &#8220;We hence proceed by abbreviation, we take the dominant feature [of a tree, of an emotional state] and label as the whole something that is only a part. Similarly, the story &hellip; <a href=\"https:\/\/www.arianebazan.be\/?page_id=290\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":137,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"spay_email":""},"_links":{"self":[{"href":"https:\/\/www.arianebazan.be\/index.php?rest_route=\/wp\/v2\/pages\/290"}],"collection":[{"href":"https:\/\/www.arianebazan.be\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.arianebazan.be\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.arianebazan.be\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arianebazan.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=290"}],"version-history":[{"count":9,"href":"https:\/\/www.arianebazan.be\/index.php?rest_route=\/wp\/v2\/pages\/290\/revisions"}],"predecessor-version":[{"id":3194,"href":"https:\/\/www.arianebazan.be\/index.php?rest_route=\/wp\/v2\/pages\/290\/revisions\/3194"}],"up":[{"embeddable":true,"href":"https:\/\/www.arianebazan.be\/index.php?rest_route=\/wp\/v2\/pages\/137"}],"wp:attachment":[{"href":"https:\/\/www.arianebazan.be\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=290"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}